Where is my car?


In this busy schedules of everyone's going forget,to blocked and needs to restart.  The accumulated commitments, bosses, kids, bills, loans, problem - full madhouse. Often we forget things - phones, keys , wallets... Small things without which we can not. Has it ever happened to you to forget your car? Personally, I forgot where I parked several times.


The first time I was shocked. I had to go to another city for work. Like any woman, I have the ability to late. And just , because a lot of hurry. When the GPS led me to selected destination, I parked the car and quickly I started looking for the exact location of the building where I have a work. I finally succeeded! I found the place! After a few hours I was ready to go back to my town. Then I realized - I had no idea where I parked! I started to walk around the neighborhood. I ask yourself: "Why I not remmember exactly where I park?", "How I can lose such a big thing?", "Why this happening to me?". I wandered around an hour. Desperate I sat on a bench. I sit and "play" with the car keys. I pressing the buttons on the key. At that moment I heard the alarm on some car. I turned around and what to see! She is! My car! I was so happy that I've found it! Now I could go home. I promised myself , that from now on I will be more careful and never I will lose my car again! Of course, this does not happen! Never say never!


You can see another funny story ,by clicking on the picture! 
























The top must be considered for photo modeling from two completely different aspects: 1. its general form and a pair of. its specific expression.


First, why don't we consider the physical form of the head in the completed picture. This is a result, not only of the particular form of the head, however its particular view from the camera.

The least movement with the head produces marked adjustments to its countless planes. That is why, complete and mutual understanding has to be established between director and model as to the exact position meant with the commonly used terms, full-face, profile and three-quarter head.

Full-face - means a full-faced check out the head. Other terms used are: front-view, full-face angle and full front-view.

Three-quarter head - is known as ¾ turn, ¾ view, ¾ angle, ¾ face, ¾ face position or sometimes a forty-five degree head. These terms are usually applied to all intermediate positions between full-face and profile. However, those who like to split hairs designate the positions between ¾ head and profile as ¼ profile, ½ profile, split profile and 7/8 turn. People that make this distinction, usually call the career to the front with the ¾ head a 5/8 turn.

Profile - or full side check out the face is also called side position, side view, full profile, full turn, 90 turn, ½, view or ½ face view.

A big change from one basic view to a new may be accomplished by moving your camera station, but most frequently oahu is the model who is forced to move into position. Considering that the terms are established regarding the model's movement, let's explore the movements that will make these positions and subsequent views possible.

bring the head into almost any desired position. If the camera is stationary, the model can go on to a slight or great degree in three directions. These movements are intimate to all of us. By establishing key words for these movements when photo modeling, we set the stage for understanding and team performance between director and model. The terms are horizontal turn, vertical lift (or drop) and diagonal tilt. These movements works extremely well singly or in a combination of two, and, perhaps, the three.

The horizontal turn
In the event the body faces your camera, the head can turn from one shoulder to the other presenting many views: right profile; ¾right view, full face, ¾ left view and left profile. As one shoulder moves outside the camera, some views fall off, while others become possible - for example ¾ back and back-view. These back views are employed to display hairstyles, back detail in order to draw the viewer's awareness of something other than the facial skin. A horizontal turn of the head may be called for in two ways from the director. He may say, 'Turn your face to the right', or 'I would like your left profile', both of which requests brings the left side from the model's face to the camera's view.

Vertical lift or drop...
could be the upward or downward movement with the tip of the nose while on an imaginary line perpendicular for the shoulder track.

Diagonal tilt...
will be the slant of the head that puts the chin somewhere of this perpendicular line as well as the top of the head on the other.

The form of the image is altered through the vertical lift, by the vertical drop and, with a lesser degree, by the horizontal turn. Also, a physique of ease and interest rates are added to the face with the tilt.

Head placement can be the basis for exaggerating or normalizing head structure and facial characteristics.

A round face looks oval on the camera in a ¾ view. A lengthy face can look round in full-face view once the chin is lifted.

An unconventional feature, for instance a prominent chin or forehead could be minimized by tilting it from the camera. A receding chin appears normal if it is extended toward you. The slightest movement is important!

A good model understands the consequence these different positions can have when she is photo modeling.

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